Signal A Running Record of Findings from the Internet / October 25, 2026

Inside Church Rate Corner, a Late Baillie Scott House in Cambridge

William Fawcett visits Church Rate Corner, a late masterpiece by the Arts-and-Crafts architect M. H. Baillie Scott, set in central Cambridge with no street frontage. Designed in 1924 for Marjorie Duckett as her married home with Arthur Sewell, who died in 1926, it later housed Joan and Stanley Bennett for more than 50 years and now belongs to Michael Nedo and Gillian Moore, only its third owners. Photographed by Will Pryce, the piece walks the almost symmetrical garden front, the south-facing rooms, the plain timber stair and oak-board doors, and a gravity-fed heating system still in operation. Diane Haigh, the author's late wife, was conservation architect for its 1992 restoration.

Read the story By William Fawcett · Country Life
Inside Church Rate Corner, a Late Baillie Scott House in Cambridge

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How 1,288 Acrylic Panels Make the Kunsthaus Graz Read as One Blue Mass 
A Draughtsman Left His Fingerprints on the Whitechapel Gallery Drawing 
Nineteen Modern Tombs in Milan's Monumental Cemetery, From Ponti to BBPR 
Carlo Scarpa's Villa Ottolenghi Is Dug Into a Lake Garda Vineyard 
Matthew Connors Spent Twelve Years Photographing Cities That Have Much in Common 
John Flaxman's Plaster Models Make the Case for a Neglected Neoclassical Master 
Thirty Photographers Spent a Month Shooting Alana Jessica Martin 
Four Photographs From the V&A Collection Stop Tennis Long Enough to See It 
Ex Cathedra Surround St Martin-in-the-Fields for Tallis's Forty-Part Spem in Alium 
Jacques Greene Explains How a Club Track Is Built for the DJ 
Shovel Dance Collective Pulverise Old Reels and Splice Penny Whistle With Static on Their Third Album 
Norwegian Grind Band Beaten to Death Fold Reggaeton, Sax and Folk Into Their Seventh Album 
A Collector Tracks Down the Victorian Velvet Cuffs She Left at a Detroit Flea Market 
How Australian Car Ads Were Copied From Overseas Brochures 
Three Replica Hornbooks Hide Inside Cardiff's Copy of an 1897 History 
Winterthur's Conservators Go Back to the Specialists Henry Francis du Pont Hired Before It Opened 
Essex Record Office Shows Its Colchester Oyster Feast Programmes 
Spanish and Indigenous Writers Saw Different Ants in Sixteenth-Century New Spain 
Penn Looks at an Italian Copy of the Rhetorica ad Herennium 
Cardiff City Paid Arthur Fish One Pound a Week in 1914 
Sky Hopinka Filmed a Three-Day Powwow Without a Single Retake 
Olivia Colman's Fisherwoman Orders a Husband Woven From Wicker 
A Thai Producer Spent Nine Years Getting 9 Temples to Heaven Made 
Brussels' Cinematek Names Its Library for Bordwell and Thompson, Who First Worked There in 1979 
Signal A Running Record of Findings from the Internet / October 24, 2026

Why Cinema Was John Berger's Medium, From Ways of Seeing to His Films With Alain Tanner

Timed to the centenary of John Berger's birth, Carlos Valladares argues that cinema was 'the Berger medium par excellence,' because it makes the spectator a collaborator in the telling. He traces the critic from a 1936 diary entry recording a solo viewing of Modern Times, through his 1965 Picasso monograph and 'The Moment of Cubism,' which he links to montage, to the novel G. and Ways of Seeing. The essay's heart is Berger's trilogy with Alain Tanner: La salamandre, Middle of the World and Jonah Who Will Be 25 in the Year 2000, read through Miou-Miou's cashier Marie, arrested and deported for giving groceries away.

Read the story By Carlos Valladares · The Brooklyn Rail
Why Cinema Was John Berger's Medium, From Ways of Seeing to His Films With Alain Tanner

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How a Window Made to Look Ordinary Let Prisoners at New York's House of D Talk to the Street 
A Civil Servant Maps 42,840 GPS Pings From Railway Ticket Checkers Onto a Digital Ikat Saree 
Le Monde Béryl's First Shop Uses Peekaboo Cabinet Doors and Foot-Level Mirrors on the Upper East Side 
Why Savannah's Cast-Iron Downspouts End in the Mouth of a Fish 
Brice Marden's Gagosian Retrospective Makes Him the Odd Man Out Among Today's Political Art 
Guest Room Skateboards' Owners on Quitting Sponsors and Skating for Fun, Not Content 
Aya Fujioka's Here Goes River Walks Hiroshima in Loose, Tender Snapshots 
Prisoners Have Always Found Ways to Wear a Uniform Against Its Purpose 
Gayageum Player DoYeon Kim on Leading Tyshawn Sorey and Mat Maneri on Her Debut 
Light Conductor Built Sequence Three From Live Synth Jams on a Juno-60 and Prophet VS 
A Kanazawa Museum Built on One Shop Owner's 540 Phonographs Demonstrates Them Three Times a Day 
Arjen Gorter Anchored Willem Breuker's Kollektief for 35 Years and Played the Bimhuis Opening Night 
Peter Helck's Reference Photographs Behind His Packard and Mack Truck Advertisements 
An Eight-Lens Japanese Camera That Shot Eight Instant Pictures on One Sheet 
Bill McFarland Kept His Great-Grandfather's Trunks of Nitrate Films, and One Held a Lost Méliès 
An HSNY Librarian on Coins Shaped Like Watches and Watches Made From Coins 
There Is No Evidence Jenkins Ever Showed His Ear to the Commons 
Good Roads Could Carry American Empire Only So Far 
Rock Fights Outside Panyu Villages Had to Draw Blood Each New Year 
Why the Newberry Owns Two Different Copies of Catesby's Natural History 
Kogonada on Making ZI in Hong Kong With a Bolex and the Music of Ryuichi Sakamoto 
Heat Read as Michael Mann's Film About Two Men in Midlife Crisis 
Bedknobs and Broomsticks at 55, With Ward Kimball's Animation and 23 Minutes Cut Before Release 
Super 8 Gave Brazilian Filmmakers a Way Around the Dictatorship's Censors 
Signal A Running Record of Findings from the Internet / October 23, 2026

An Organist Plays and Ranks All 606 Hymns in the New English Hymnal

Maddie Lay, an Oxford-based arts writer and part-time church organist, spent a month playing through all 606 entries in the New English Hymnal and ranked every one. Its ancestor, the English Hymnal of 1906, was compiled by Percy Dearmer and Ralph Vaughan Williams, and was initially banned by the Archbishop of Canterbury, lest it dethrone the popular Hymns Ancient and Modern. The 1986 revision kept roughly two-thirds of the original numbers and added about a hundred more. Lay ranks them from the depths of hell to the heights of heaven, as a guide to which hymns deepen worship and which can be safely ignored.

Read the story By Maddie Lay · VAN Magazine
An Organist Plays and Ranks All 606 Hymns in the New English Hymnal

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A Sag Harbor Garden Built for a Client Who Wanted No Lawn 
The Lettering on Space Shuttle Discovery Has an Upside-Down S 
SEA Marks 30 Years With a Book and Says None of Its Logos Has Been Redesigned 
Carl Hansen & Son's Chief Executive on Wegner, Timber and Copies of the Wishbone Chair 
Inside the Los Angeles Scene Kid Revival 
Twenty-Eight Artists Answer the Question of Belonging in Clay at Officine Saffi in Milan 
Frida Orupabo Turns the Archive's Gaze Back on the Viewer in Lisbon 
Schoolgirls Were Making American Landscapes Before the Painters Were 
Brussels' DIY Dance Renaissance Meets Closures and Bureaucracy 
John Griswold Painted Phoebe Bridgers's Gibson Without Erasing Its Wear 
The Star Room Boys' Athens Debut Gets Its First Vinyl Release 
Carl Stone Learned Collage Dubbing Records on Three Turntables at Once 
The Royal College of Physicians' Portrait of William Harvey Returns After Frame Conservation 
Spitalfields Life Seeks the Owner of Joan Beales's Tavistock Hotel Mural Panels 
Why Ideal's 'MC' Kit Car Was Likely Issued Before Its 'MG' 
Ryan Cobham Has Almost 100 Kenner Super Powers Figures 
A Scholar Argues a French Ship at Paphos in 1707 Was Loading Terebinth Resin, Not Tar 
Robert Hood, Artist of Franklin's First Overland Expedition, Was Murdered in His Tent in October 1821 
A Placement Student Reads Explore York's Photographs of Stonebow, the Road Cut Through York in 1955 
Queen's University Belfast Opens 14 Boxes of John Alderdice's Alliance Party Papers From 1985 to 1992 
Eleanor Coppola's Posthumously Completed Film Records the Making of Marie Antoinette 
How DNEG Animated Wile E. Coyote to Move Like a Hand-Drawn Cartoon 
Michael Chaiken on Assembling Criterion's Complete Kubrick Set 
A New Book Reads Calm Inside the Fight Scenes of Martial Arts Cinema 
Signal A Running Record of Findings from the Internet / October 22, 2026

Colin Williamson's Photographs of Japanese Game Culture Enter the Video Game History Foundation Archive

Colin Williamson was a game journalist embedded in Japan from 1999 through the mid-2000s, writing for IGN, Official U.S. PlayStation Magazine and PC Gamer. The Video Game History Foundation has added his photography collection to its digital archive, where the images are freely accessible. Shot on what was then a new digital camera, the hundreds of photos cover Tokyo Game Show, Nintendo's Space World 2000, Akihabara game stores and Sega's Kyoto Joypolis arcade. They include the Shenmue booth at TGS Autumn 1999 and the 2005 Electroplankton launch, where Shigeru Miyamoto and Satoru Iwata joined Toshio Iwai.

Read the story By Phil Salvador · Video Game History Foundation
Colin Williamson's Photographs of Japanese Game Culture Enter the Video Game History Foundation Archive

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Vermont's First Dedicated Tourism Brand Borrows From Road Signs and the State Seal 
The 1975 Altair Catalogue Offered a Computer for Just Over $600 
Florence Knoll Treated the Office Interior as an Architectural Problem 
Making Mistakes Impossible With a Dummy Battery and a Flag on a Roll Bar 
Duro Olowu Reads the Kuba Skirts and His Grandfather's Robe at the Met 
A Second Roll of 25-Year-Old Konica Infrared, Shot Through a Red Filter 
Finishing the Table a Former Colleague's Late Husband Had Started 
William Kentridge's New Film Starts From a Johannesburg Gas Explosion 
Jarboe Records Ideas on Her Phone the Moment They Arrive 
Cecil Taylor's 1979 Albuquerque Concert, Taped for NPR and Never Aired, Comes Out on Two LPs 
One Saturday of Live Music in Chicago, From Experimental Sound Studio's Garden to the Green Mill 
Tushrik Fredericks Danced in the Circles of a Johannesburg House Club as a Teenager 
The Sebring Class-Winning Alfa Romeo TZ That Has Never Been Restored 
Comics, Postcards and Halloween Cards at the Fall Allentown Paper Show 
Ffolliot Gray's Double-Pendulum Duo Clock Is Still Ticking a Century On 
A Book Collector Argues That Collecting Is a Game of Imperfect Information 
A Jewish Charity's Deli Trained Young People With Learning Difficulties to Cater 
Over 3,300 Court of Orphans Inventories List What Dead Londoners Owned 
Clara Barton's Successor Sent Every Member of Congress 30 Statements Against Her 
Two Wedgwood Majolica Workers Who Each Served Half a Century 
Arrow Restores The Frighteners in 4K From the Camera Negative, Both Cuts Included 
The Unusual History of PG-13 Animated Features 
Justine Waddell Adapted Virginia Woolf's Night and Day Around a Turn-of-the-Century Astronomer 
Warner Bros Restores Ken Russell's Original Cut of The Devils for a Limited Theatrical Run 
Signal A Running Record of Findings from the Internet / October 21, 2026

Tori Wrånes Talks Through Her Sailcloth and Bronze Figures in the Nordic Pavilion

John Gayer talks with Tori Wrånes about her work in the Nordic Countries Pavilion at the 61st Venice Biennale, where How Many Angels Can Dance on the Head of a Pin, shared with Klara Kristalova and Benjamin Orlow, runs through November 22. Her largest piece there, Human Lace, joins eight or more figures in sailcloth and bronze. The sails had crossed the Atlantic many times before she learned to stitch them with sail needles, which she likens to sewing with a knife. The birds are sand cast, the hands lost wax, and a foghorn from the city where she grew up sounds once an hour.

Read the story By John Gayer · Sculpture
Tori Wrånes Talks Through Her Sailcloth and Bronze Figures in the Nordic Pavilion

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A Travelling Fellow Reads Cross-Cultural Messages in the Ornament of Bulgaria, Romania and Hungary 
How a Bay Area Graffiti Writer Helped Build Letterform Archive's Graffiti Collection 
A Plastics Museum Looks at Four British Radio Makers, From Bush and EKCO to Freeplay and Pure 
A Milan-Inspired Princes Hill Victorian Gets a Different Colour in Every Room 
Leiden's Textile Research Centre Goes Through Its 300-Plus Pairs of Gloves, Mittens and Gauntlets 
A Critic Reviews Batima Zaurbekova's Tapestries From 1969 to 2026 at the Kasteyev Museum in Almaty 
A Jewellery Scholar Follows the Diamond Ring From Pliny to Art Deco 
Spike Waltzer Recalls Going From Hollywood Paparazzo to Photographer of Los Angeles Punk 
Habibi Funk Collects the City Pop Beirut Made During the Civil War 
Steve Davis Looks Back on Fifty Years Selling Hi-Fi and Co-Founding AXPONA 
Dai Fujikura's Beehive Piece Amber Alchemy Gets Its UK Premiere Ahead of Mahler's Second 
Marie Pieprzownik Cuts Lacquers From Analogue Tape on a Neumann VMS80 in Paris 
A Curator Finds the Carvings on a 15th-Century Saddle Look Like Narwhal Tooth, Not Elephant Ivory 
A Met Paper Conservator Saves a Water-Damaged Tiffany Design for a Havana Conservatory 
A Curator Looks Back on 37 Years of Collecting for The Strong Museum of Play 
How Five Colours of Signal Flags Tied Welsh Ports to World Trade 
Conserving a Gilt Leather Cover Made by a Less Practiced Hand for a 1614 Bouquet Sacré 
Seven Mulberry Leaves and a Bundle of Silk Found Inside an 18th Century Book 
A Berlin Barrel Organ Maker Who Built an Instrument for The Threepenny Opera 
How Thomas J. Wise's Forged Stevenson Pamphlet Was Denounced as a Piracy in 1898, and Survived 
DNEG Built Wile E. Coyote in 3D and Shaded Him to Look Like a Cel Drawing for Coyote vs. Acme 
Masao Adachi's Films Are Better Read as Surrealism Than Agitprop, Argues the Author of a New Book 
The Whistle Tells a True Story of a Doctor in a Nazi Prison Without a Word of Dialogue 
Sam Levy Shot The Only Living Pickpocket in New York on Super Baltar Lenses 
Signal A Running Record of Findings from the Internet / October 20, 2026

A Fourteenth Century Dante Commentator Retells the Death of King Arthur

Christopher Berard and Morris Tichenor translate the gloss that Benvenuto da Imola, a scholar lecturing in Bologna, wrote on Inferno XXXII.61-62 in his Latin commentary on Dante, composed between 1373 and 1388. Working from Boccaccio's chapter on Arthur and the Geoffrey of Monmouth tradition, Benvenuto tells the whole story: Arthur king at about fifteen, his wars against the Saxons and in Norway, Denmark and Gaul, the Round Table and its laws, the refused Roman tribute, Mordred's seizure of Guinevere, battles at Richborough and Winchester, the duel in which each man wounds the other, and Arthur carried to Avalon.

Read the story By Christopher Berard and Morris Tichenor · Medievalists.net
A Fourteenth Century Dante Commentator Retells the Death of King Arthur

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How the Maltese Cross Stop-Work Keeps a Watch's Mainspring in Its Steady Range 
Sarah Henley Restores an 1802 New Hampshire Farmhouse Room by Room for Her Family 
The Women Who Shaped Indian Furniture, Textiles and Interiors Between 1947 and 1990 
Identifying the French Typefaces on Postwar French Tourism Posters 
John Yau on David Reed's Paintings of 2013 to 2026 at Rodder 
Michelle Vossen Weaves Soft Sensors That Answer Touch With Sound and Light 
Nail Technicians Compete Under UV Lamps at Nailympia in London's Docklands 
Dede Arisekola Takes Her Menswear Label Holy One From Central Saint Martins to Lagos 
Er Nie Scored The Big Road With Work Songs, Timing Them by Metronome on Location 
ENO Stages Du Yun's Angel's Bone With Three Live Camera Operators at the Coliseum 
Alcest's Neige on Riff Memos, Reincarnation and a Classical Album With Nicolas Horvath 
A Musicologist Weighs Alexander Rosenblatt's History of Christian Music in Jerusalem 
A Fountain Pen Collector's London Pen Show Haul, From a Sheaffer Balance II to a Sacless Swan 
An Amazon Developer Turns His Garage Into a Working Computer Museum 
A Collector's Alpha Micro Eagle 300 Stops Booting After a SCSI Disk Swap 
A New York Teenager Collects Books and Objects on Death and Mourning 
Kim Il Sung Built North Korea's Personality Cult From His Presbyterian Childhood 
Some Fifty 1944 Photographs of Black American Airmen Stationed at Petworth 
The Florentine Convent That Took In Women Leaving Prostitution, From 1330 
Pressed Flowers, Field Diaries and the Language of Flowers in North Yorkshire's Archives 
Joel Crawford and Januel Mercado Built DreamWorks' Forgotten Island From Filipino Folklore 
Souleymane Cissé's Yeelen Asks to Be Entered Rather Than Explained 
Joseph Nobile Recalls Shooting Closer to Home on 16mm Between Manila and New York 
Emmanuel Lubezki Shot Iñárritu's Digger on a Rebuilt VistaVision Camera at f/8 
Signal A Running Record of Findings from the Internet / October 19, 2026

A São Paulo Bakery's Identity Draws on Japanese Brazilian Shop Lettering

Lisa Cain looks at Estudio CRU's identity for Mirá, a São Paulo bakery that joins Japanese and Brazilian baking. She grounds it in Brazil's Japanese diaspora, more than two million people and the largest outside Japan, whose families adapted home methods to local ingredients, pickling papaya, watermelon and chayote. The identity sets Nikkei Maru, a typeface inspired by the lettering on immigrant-run shops, restaurants and hotels, against oversized Latin type and earthy colours. Cain's argument is that fusion branding usually lines up two countries' symbols, where this one shows how the traditions actually came together.

Read the story By Lisa Cain · BP&O
A São Paulo Bakery's Identity Draws on Japanese Brazilian Shop Lettering

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UC Berkeley's New Computing Building Is Planned Around Chance Encounters 
Student Designs Imagine Tennis Courts as Public Space Under a Bridge and in Floodwater 
Inside a 1980s Harris Filter Chip That Uses Capacitors as Resistors 
Bertone's 1981 Mazda MX-81 Aria Swapped the Steering Wheel for a Sliding Belt 
A Queer Arcana at Palm Springs Art Museum Shows Art Made Through Magic 
Maria Pasenau's Self-Portraits Fill a Trondheim Gallery With Peephole Boxes 
Marie-Caroline Locquet Makes Jewellery Designed to Be Unwearable 
Rebecca Mezoff on Weaving Gradations of Hue and Value in Tapestry 
A Book on Producer Tom Wilson Reads 1966 as Pop's Crisis of Authenticity 
Nameless Sound's Free Improvisation Workshops and Home Concerts in Houston 
Poem Rocket Trace Their Records From an Alphabet City Studio to a Shelved 1999 EP 
Florida Atlantic's Sound Archive on the Latin Rhythm in A Night in Tunisia and Manteca 
Tokyo Street Photographer Jeff Austin Empties His Frayed Canvas Camera Bag 
Christopher de Hamel Recalls the Teenage Years That Made Him a Manuscript Man 
A Hot Rodder Backdates His Roadster's Shocks Before Jimmy's Old Car Picnic 
A Retired Engineer and the 600,000-Token Database He Needs Someone to Inherit 
The Black Watch Catalogues the Papers of Hamish Mann, a Poet Killed at Arras 
Three Children's Book Illustrators and the Other Jobs Their Papers Reveal 
A 1911 Letter in the Texas State Archives Becomes a Song About a Silk Mill Girl 
Ursula Sims-Williams Retires After Fifty-Three Years With the Silk Road Manuscripts 
Powell and Pressburger's Gone to Earth Returns in Its Restored Cut at the London Film Festival 
Cristian Mungiu's Fjord Sets a Romanian Family Against Norway's Child Welfare System 
James Benning's Eight Bridges and Markus Schleinzer's Rose at the Chicago International Film Festival 
Mariano Llinás on Building a Five-Hour Borges Documentary From Letters, Drafts and Places 

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