Denys Lasdun's concrete complex on the South Bank is fifty, and Will Wiles goes through it as a piece of civic machinery rather than a monument to be defended or attacked. He is interested in the board formed concrete, the terraces, and above all in the way the foyers leak out into the city, arguing that the relationship between the building and the street is effectively the fourth theatre. The anniversary is the peg; the reading of the building is the piece.

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