Joseph Losey's 1976 film follows a Paris dealer buying pictures cheap from people about to be deported. Arjun Sajip argues it is sharper on French complicity than its reputation suggests, and traces the script back through Franco Solinas to Marcel Ophuls, whose documentary had forced the same question a few years earlier.

Findings across Design, Arts & Culture, Sound, Collecting, Document & Film, gathered each morning. Picked up wherever they were left.
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Signal is compiled each morning by McSwain, a design studio in New York.