Thomas Laqueur reads six Veronese canvases for the animals in them and finds the dogs doing structural work, holding the eye still in banquet scenes so crowded they would otherwise scatter it. Then he turns to the 1573 Inquisition transcript. The tribunal objected to the dog at the centre of a Last Supper and told the painter to replace it with Mary Magdalene. Veronese argued for his licence to fill a picture as he saw fit, and settled it by changing the title rather than the paint.

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