In a full question and answer transcript, Kallol Mukherjee explains how Herland began as a welfare film for the Ibtada Foundation's rural employment programme and turned into something else once the women it followed walked into the panchayat and were dismissed by the village head as illiterate. He talks about choosing not to film Bhagyashree when she broke down, about refusing to make the men into caricatures, and about the film's premiere at the DOKer documentary festival in Moscow.

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